A dramatic impressionistic painting of Abraham on a mountaintop at dawn, his silhouette holding a raised knife over Isaac, who lies still on a stone altar. The sky is torn with clouds and cold light, capturing the tension and agony of obedience before God intervenes.

Three Days to the Altar

Abraham raised the knife with shaking hands, not because he lacked faith—but because he had it. This is the moment where obedience meets agony, where trust walks the long road to the altar, and where God, at the last second, speaks.